Blog

Posts in Artist Interviews
Building the Community You Wish to See

After relocating from Santa Fe, New Mexico to Bellingham, Washington, Brooke Evans noticed that her newfound home was lacking something near and dear to her: high-quality dance. Through copious research and collaboration with local parents and dancers, Brooke and her fellow community members were able to build Opus Performing Arts: a robust dance school composed of experienced faculty and tasked with the mission of “fostering a lifelong love of dance.”

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Confidence in a Cowboy Hat

As many dancers can confirm, there are few things worse than showing up to ballet class in a leotard that makes you feel self-conscious. Donning an uncomfortable, ill-fitting leotard can affect a person’s confidence, which can translate into their movement quality. Suddenly, dancers forgo extending through their fullest lines and focus on making themselves smaller. Throughout every dance class, there’s a laundry list of things dancers need to be focusing on. Fixating on the fit of their dancewear shouldn’t be a priority. Local dance educator Hayley Maddox is passionate about creating custom, eco-friendly leotards in a comfortable fit for dancers of all shapes and sizes. Her retro, cowboy-themed dancewear brand Lasso Leos centers on providing dancers access to affordable and sustainable leotards while creating favorable fits designed to make dancers feel confident.

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Karl Watson on Finding Balance and Seeking Transparency

As dancers, we’re encouraged to push ourselves as far as we can, often until our breaking point. Finding the harmony between challenging ourselves and staying within our boundaries can be a tough balancing act. Karl Watson of Whim W’him gives insight into this challenge, his dance journey, and what he hopes to see moving forward in the dance industry.

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Jule Dancewear’s Julia Cinquemani

Many people are drawn to dance because it is a means of self-expression, allowing individuals to share their emotions with others and have a creative outlet to relieve stress. In many ways, clothing operates similarly to dance for many people, as it communicates a lot about a person’s identity and can invoke specific emotions in viewers and wearers alike. Founder of Jule Dancewear Julia Cinquemani knows all too well that wearing clothes that don’t fit right can make a significant impact on people, particularly with dancewear. Combatting this phenomenon was the inspiration behind Jule Dancewear, as well as creating dancewear products that cater to dancers with a variety of body types. Read on to learn more about Julia’s journey to Jule Dancewear.

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DWC Ambassador Coco Liu on Beginning Dance as an Adult

Have you ever wanted to try something new, but felt like you weren’t welcome to or as though your time to begin had passed? If so, you aren’t alone. There’s an unspoken assumption that as adults, we somehow know exactly what we enjoy doing and have all of our passions clearly defined. However, DWC Ambassador Coco Liu is here to tell you that it’s never too late to try something new, specifically with dance.

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DWC Ambassador Kristina Koumaeva on Putting the Human Before the Dancer

From competitive commercial dance to ballet academies, there has historically been a laser focus on technique in various dance realms, even at the expense of dancers' mental health. DWC Ambassador Kristina Koumaeva speaks on prioritizing the human over the dancer, cultivating self-confidence and self-care, and what she looks forward to doing as a DWC Ambassador.

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DWC Ambassador Ava Budish on Self-Expression and Breaking the Mold

In nearly every industry, expectations are set regarding what a professional individual should look and act like, and dance is no exception. However, these standards are arbitrary. The dance world is a much better place when dancers have the freedom to break the mold and express themselves freely. DWC Ambassador Ava Budish shares her thoughts on expressing herself through dance, creating connections, and breaking the mold.

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Inspiring a Lifelong Love of Dance Through Accessibility

Youngsters eager to learn dance in the greater Seattle area are always in luck, as the Pacific Northwest abounds with high-quality dance studios eager to take on more students. However, adults with the same enthusiasm aren’t often as fortunate. Most dance studios across the region offer dance classes up until the age of 18, after which students are expected to move on to more professional training or get a non-dance-related job and move on with their lives. Luckily, Karena Birk and the rest of the team at Dance Fremont are providing high-quality, affordable dance education to youth and adults to foster the passion for dance in people of all ages and identities.

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Where Reading and Dancing Meet

For many young students, dance education consists of verbal instruction and demonstration from a teacher. While that has proven to be an effective means of teaching, having alternative methods, such as using visual aids and storytelling, can immensely benefit students. Thus, Terrel Lefferts and her daughter Kaelyn or “Ballerina Konora” have created Once Upon a Dance, a business that creates interactive movement and dance books for children of a wide array of ages.

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Promoting Versatility in the Studio and Community

In many professional industries, but particularly in dance, versatility can be a vital asset to an individual’s career. Having the ability to be light on your feet, expert across numerous genres, and adaptable to rapid changes can help elevate a dancer both on and off the stage. That is why versatility is an important part of Allegro Performing Arts Academy’s goal. By providing dancers with robust dance training in a variety of styles and offering programs to an assortment of ages and levels, Owner Tonya Goodwillie and the rest of Allegro’s staff strive to bring something to the table for everyone.

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