Dance is just one part of our identity, one culture that we belong to. It’s important for dancers to understand this, and it is important for them to feel affinity with other parts of their identity so that they understand they have other identities and other communities where they belong. It’s about finding balance. So, invite both your or your child’s dance and school friends to birthday parties, take a night off dance to spend time with your family, spend the summer trying a new sport or movement style— it is okay to take time off, it is okay to try out different interests, and it is important to make sure dancers understand this because the only constant in life is change and we need to prepare our young dancers to be flexible when change occurs so they can process it with strength and grace.
Read MoreThere is a saying that always rang true for me in my early career: “there will always be someone better than you.” When I moved on to professional training schools, I found out that I was not always going to be the most flexible. I wasn’t always going to have the best extensions. In fact, I found that depending on where I was, my extensions were just average. Once I began to place an emphasis on the other qualities a dancer possesses, ballet became so much more enjoyable to me. Musicality, port de bras, and dynamics of movement are all things that anyone can make beautiful and exciting regardless of ability, age, or gender. This is what makes ballet a beautiful art form. If you're struggling with technical perfectionism in dance, I encourage you to focus on these other attributes of dance that can help elevate your artistry without pushing your body to extreme limits.
Read MoreAside from the Yaw, Stella has recently opened several new rehearsal spaces called Pitch and Roll. These spaces are there as rehearsal studios that choreographers and artists can book and use without excess hassle. Stella wanted to put on more programming for the artists and choreographers in the area, so she created these rehearsal spaces for people to use that have the proper resources. “I don’t think there can be too much performance art,” Stella said about getting more space for dancers around the area.
Read MoreSister Kate Dance Company teaches its SKDC Boot Camps in October, January, and April. The Boot Camps offer a chance for anyone to experience what it’s like to be a vintage chorus line dancer. Over the course of four weeks, participants learn original choreography from a Sister Kate dancer, work on their stage presence, connect with other eager and enthusiastic dancers, and even have the chance to perform in front of a live audience. This year’s October boot camp theme is “A Coven of Witches,” so dancers can expect a spooky, Halloween-themed performance opportunity. Tickets for the October 2022 boot camp open on September 1st, and Robin recommends grabbing yours early! Check out Sister Kate’s website and social media for more information.
Read MoreWhen asked about what steps can be done to help alleviate these often harmful expectations, she shares that normalizing the concept of an everyday person dancing is something that needs to be more globally understood. She expresses that it can be hard for trained dancers to look at others’ dancing and not critique them in certain ways. Therefore, Santina believes that the mindset of seeing everyone as a dancer is something that needs to be adopted by dancers all around the world.
Read MoreIn ballet, I have struggled with confidence. I always felt unworthy and inferior to everyone. Being considered a late starter, I always had the feeling that I was constantly playing “catch-up” when it came to my peers. I spent too many years at my first ballet studio, receiving bad training and abuse from my teacher who always made me feel like I would never amount to anything as a dancer. These feelings of inadequacy negatively impacted my attitude towards dance and also contributed to my low self-esteem. I always felt something was holding me back from dancing my best. It wasn’t until I underwent a major surgery that I came back to professional ballet with a newfound confidence and a greater passion for the art form.
Read MoreAlberto shares that what initially attracted him to dance was the challenge it presented to him. “It felt like something that you would have to try forever and never be perfect at,” he says. "That was something very alluring to me.” Today, he has an appreciation for the numerous skills dancers acquire, including musicality and coordination.
Read MoreOne of the things that Dominique is looking forward to about being an ambassador is that it can allow her to become more of an advocate for mental health in the dance world. Having gone through these experiences herself, she wants to be able to raise awareness for these issues that are very common in the dance world. At All That Dance where Dominique teaches, there is Love Your Body Week that has been picked up by numerous other studios around the country where time is taken out of dance classes during the week to discuss loving your body. Dominique shares that this week is something that has helped her want to lift up the voices of people struggling with these issues and advocate for more awareness.
Read MoreMoving forward, Lex wishes for dance teachers to communicate with one another more. There’s a strong feeling of competition that runs across the dance industry, causing teachers, dancers, and other industry professionals to retreat to their silos. Lex points out that it’s hard for dancers and teachers to grow when they feel like they’re being judged. “There’s this weird expectation that if you’re a teacher, you have to be good at everything and that’s just not realistic,” Lex says. “So it’s hard to find a space in your community as a teacher, where you feel like you can work on yourself free of judgment.” She says that it would be great for Drop Zone to host events where teachers can come into conversation with one another about their unique struggles.
Read MoreWhether its codified technique, body expectations, or gendered stereotypes, the dance industry has disseminated rigid values for many years. Such expectations can limit and harm talented dancers who don’t fit such cookie-cutter molds. Joshua Grant and Christopher E. Montoya are striving to knock down these barriers and foster a supportive and all-inclusive dance environment at Dance Conservatory Seattle. Under the tutelage of local talent, DCS is teaching Seattle dancers how to “live [their] best li[ves].”
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