Panelists from DWC Adult Ballet Q&A Give Advice for Adults Starting Dance
By Madison Huizinga, DWC Blog Editor
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Being able to try new things and explore new hobbies is part of what makes life exciting. Nevertheless, it can be difficult to know where to begin. Lacking viable assistance with starting a new endeavor can deter people from beginning altogether. That’s why on October 31, 2021, Dancewear Center hosted its first-ever Adult Ballet Q&A. Sierra Keith of Dance Conservatory Seattle, former DWC Ambassador Cynthia Randriamanohisoa, local adult dancer with Northwest Dance Cooperative Kim Lucy, and current DWC Ambassador and teacher with Second Act Dance Coco Liu answered questions all about starting ballet as an adult and the things they wish they had known.
All of these dancers have had different levels of exposure to dance throughout their lives and have it in different capacities within their lives. Additionally, they all have different reasons why they decided to start ballet as adults. “I have always wanted to do ballet, ever since I was a child” Cynthia shares. “[But] I didn’t get the opportunity until I went to college.” She began ballet at a school club, later attending open classes after moving to the United States.
Similarly, Kim loved to play dress-up and dance as a child, eventually joining a dance drill team in high school. “I’ve just always loved ballet as an art form,” Kim says, beginning her ballet practice in college. She shares that there are many supportive options for adults within the Seattle area, more than many may realize. Adults do not have to resort to being in classes with people years younger than them. “You can wear what you’re comfortable in, there are all sizes of bodies,” she says of the ballet classes she’s taken. Kim also points out that most dancers are so focused on their own training that they don’t pay attention to others in the class, there is little judgment. As opposed to other forms of exercise, Kim says that ballet allows her to engage her mind too, making it both physically and mentally engaging.
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Coco was exposed to dance at a young age, but truly fell in love with the art form when she watched her friend perform in Utah. After returning to Seattle, Coco began taking ballet classes and found herself deeply enjoying how her body and mind felt after class, describing it as a meditative experience.
Sierra says that growing up she was a mover, she loved to dance freely around her house. However, growing up in a family with a low income and in a small town lacking a dance studio, she had little opportunity to join a dance community and take classes. In college, she saw a professional ballet dancer perform and “fell in love” with the art form. After several years of working, Sierra injured her arm and lacked sufficient help from her doctors. She decided she would try to work through the problem on her own, taking ballet classes and gradually integrating movement back into her body. After a couple of months, she was able to move her arm again. “I was hooked at that point,” Sierra says. “I found that through the movement I was able to rehabilitate myself...ballet turned into something important for me.”
There were many surprises for the dancers as they began ballet. Sierra describes feeling surprised that she even liked dance, as she never imagined enjoying physical activity. Kim was surprised at how much she’s progressed in the practice, explaining how excited her five-year-old self would be to learn that her 41-year-old self would be dancing in pointe shoes. “I didn’t realize how much detail there was to ballet,” Coco says. Cynthia shares this thought, she was surprised with how complex the practice is and how there is always room for improvement.
The panelists cleared up some misconceptions and answered some common questions adults have about starting ballet. For example, they shared that it’s acceptable to wear whatever you feel comfortable in, not just tights and a leotard. “You should definitely pick an outfit that you feel comfortable in,” Sierra says. “A lot of adult ballet dancers find their own unique style and I always think that’s cool... it’s always a combination of a little bit of dance clothes and a little bit of street clothes.” Leotards, skirts, pants, T-shirts, socks, ballet slippers, and more are all welcome! Kim recommends going to a dancewear store to get fitted for ballet slippers, as they often have weird sizing, but that’s all that is specialized. Nonetheless, Cynthia recommends double-checking with the studio to ensure there is no dress code; however, most open classes do not require them.
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Many adult dancers take ballet for the training, others take it for the performance opportunities or both. Cynthia says that many performance opportunities at studios are optional and have varying degrees of formality. For instance, not all performances take place in an auditorium or theatre setting, others are smaller with solely family and friends in the audience. She recommends researching and reaching out to different studios to see what opportunities they have. Sierra points out that ARC Dance, eXit Space, and Westlake Dance Center all have adult performance opportunities, also sharing that adult dancers should feel empowered to create their own performance opportunities.
Coco shares that dance has changed her life, she hasn’t had a passion that’s persisted this long. Kim says that dance has been a form of therapy for her. As a wife, mother, and full-time employee, dance has served as something that’s solely for her, making it even more special. Cynthia has been impressed with how she’s been able to make her dreams come true through dance, achieving things she didn’t imagine possible 20 years ago. Sierra shares that it’s the best part of each of her days.
Sierra points out that many people in her life tell her that they want to try dance, but have something holding them back, whether that be their age, current activity level, or any other factor. Sierra encourages them to not wait and give it a try!
