Blog

New Beginnings in the Midst of COVID-19 2 of 2

By Madison Huizinga, DWC Blog Editor


The past year and a half has been undoubtedly replete with hurdles, as much of the local dance community was left jobless due to COVID-19. Yet, through the hardships that unfolded throughout the pandemic, many were able to find unique ways to fill the gaps they were witnessing in the dance world. Dwelling in isolation served as a time for reflection and deep contemplation about how to emerge back into the dance realm. From private coaching to cross-training, from rebranding to expanding, and bridging the divide between dance and theatre, these organizations and individuals have created new beginnings for themselves amid adversity, leaving the local dance community better than they found it. Read on to learn more about these local artists and their latest endeavors. We are continuing our feature of three more studios!


Creation Dance Studio

In April 2021, Creation Dance Studio moved to a new location with two new studio spaces. Additionally, the studio is expanding its adult/teen program to include classes like tap and hip hop and is now offering a complete youth program too. The youth program will offer jazz, hip hop, tap, lyrical fusion, ballet, and conditioning classes, as well as cheer and tumbling classes. “So much has led up to this brand new chapter for Creation Dance Studio and I am deeply grateful for the opportunity to provide classes for dancers of all ages on Mercer Island,” Owner Stevie Hagen shares.

For the past five years, Creation Dance Studio has offered adult ballet and pointe classes to dancers of all ages and backgrounds. The dancers have performed at retirement communities in Mercer Island and fundraisers, “with the goal of giving back and spreading the joy of dance to everyone around [them].” “We all have one huge thing in common - we absolutely love to dance,” Stevie says.

38155676_1805611442853927_2798667575599300608_o-1 - Stevie Hagen.jpg

“If you had asked me if I wanted to be a dance teacher at the start of my senior year of college, I would have said no,” Stevie admits. She assumed that she would audition to join a ballet company after graduating from Cornish College of the Arts with a BFA in dance. She had no clue that a life of teaching and studio owning was in store for her. Stevie remembers the moment she figured it out. “I was taking [Cornish’s] required teaching methods class and began teaching a mock class in front of my peers and in that moment I knew that I wanted to be a dance teacher,” she recalls.

Deena Dunning was one of Stevie’s biggest teaching inspirations, as she assisted with Deena’s adult ballet program “Ballet With Deena.” Deena had stage 4 breast cancer at the time and would show up to teach dance regardless of how she was feeling. “Subbing for her was the greatest honor and getting to know the adult dancers that had followed her from location to location was truly special,” Stevie says. She recalls meeting with Deena at a Starbucks one afternoon and her passing the program onto Stevie. Deena passed away a week later. “I embraced the opportunity to continue Deena’s beautiful legacy and soon after Creation Dance Studio was founded in 2016,” Stevie shares.

Throughout the COVID-19 pandemic, safety was a top priority for Stevie when teaching dancers at CDS. The CDS adult program and many of Stevie’s private lessons were able to meet over Zoom for 15 months before returning to Creation’s brand new studio space in person. “We will continue to do everything that we can to be creative and flexible as we keep our dance community healthy and strong.”

Stevie expresses that she knows she has succeeded as a teacher when each student leaves her classes feeling “encouraged, capable, and knowing that they are enough exactly as they are.” She shares that it breaks her heart to see passionate dancers slowly beginning to believe that they aren’t enough because they don’t fit a certain mold. Excessive criticism and pressure can diminish a dancer’s true love for the art form. “Dance is so much more than a body type or reaching perfection,” Stevie stresses. Thus, she channels her energy into encouraging her students, focusing on movement rather than physique, and instilling confidence in each dancer she teaches. “If we, as a dance community, could return to that foundation of why we dance, that moment when we stepped into a class for the very first time and fell in love, I truly believe that the dance world would be a better place,” Stevie says. 


Elevated Forms dance+fitness

Elevated Forms Dance + Fitness provides dance and fitness programs that teach dancers valuable cross-training exercises and techniques to prepare them for the professional realm. Founder Alexandra Roumanis offers in-studio or in-home classes designed to help build strong pre-professional dancers. These classes feature Progressing Ballet Technique (PBT) exercises, ballet technique training, as well as “contemporary, jazz, and acrobatic movements.” Alexandra stresses that her programs are designed to be adaptable and attainable for dancers to meet their “individual needs and goals.” She provides a variety of different class formats, including “weekly technique training,” “weekly cross-training for injury prevention, strength and flexibility,” and even one-week intensives. There are one-on-one or private group sessions available, in addition to in-studio or virtual workshops. Alexandra also offers more general personal training with an emphasis on pilates and barre-style exercises, and Elevated Barre classes, which are “dance-inspired” and designed for movers of all levels. Free workouts are even available on the Elevated Forms YouTube channel.

Photo by: Nicole Firestone

Photo by: Nicole Firestone

Alexandra began dancing around age three and began pursuing it more seriously around age 10. Throughout her teenage years, she focused more specifically on ballet. However, throughout high school, she also developed a deeper interest in contemporary dance, attending summer programs at Alonzo King LINES Ballet and the San Francisco Conservatory of Dance. While pursuing her BFA in Dance Performance and Choreography at Texas State University, she further cultivated her love for modern and contemporary ballet styles. After graduating college, Alexandra moved to Seattle and began interning with Velocity Dance Center and dancing with Khambatta Dance Company. She also worked as the operations and marketing manager of SQUID MGMT, an artist management company. Later realizing she was more interested in being in the studio, Alexandra took on more teaching, something she had always done throughout college. 

Amid dance studios closing in 2020 due to COVID-19, Alexandra had several students ask her if she would teach private lessons, which she agreed to do. Unsure of what the landscape of dance would look like in the following year, Alexandra created Elevated Forms as a way to formalize the lessons she was providing. She specifically works with students who are serious about dance, wish to pursue it professionally, and are interested in improving their technique. Certified in a variety of dance teaching and cross-training methods, such as Progressing Ballet Technique and Sugarfoot Therapy, Alexandra’s everchanging vision is to provide her clients with a program that they can eventually practice independently to supplement their dance training. “Ideally...I want to let them go and fly on their own,” she says.

Alexandra stresses the importance of cross-training in dance as a way to make dancers stronger and prevent injuries. It upsets her to see such young dancers suffering through horrible injuries that stick with them for life. Thus, her practice is aimed at finding ways to implement cross-training into dancers’ routines and finding unique ways to make it interesting and enjoyable. 


Glass House Dance

Glass House Dance is excited to announce its partnership with the City of Maple Valley’s Parks & Recreation Department. Starting this September, Glass House Dance will be expanding into the Maple Valley, Covington & Black Diamond communities by offering a variety of dance classes at Lake Wilderness Lodge. Registration for these classes begins this August through the City of Maple Valley’s Parks & Recreation registration page. In addition, Glass House is expanding its Sammamish location by adding a fifth dance room. Coming out of the COVID-19 pandemic, Glass House has secured the suite next to its usual studio space in light of growing classes & programming

Glass House Dance is going on its sixth year of offering the Sammamish, Issaquah, and Redmond communities year-round classes in ballet, hip hop, jazz, acro, lyrical, and contemporary. The studio also possesses a plethora of competitive and performance teams.

Co-Owner Larisa Eronemo grew up training as a competitive studio dancer and later earned her BFA in Dance from Arizona State University and MFA in Dance Choreography from the University of Arizona on a full-ride scholarship. After working at a university, she returned to studio life as a dance teacher. She has choreographed for the concerts of artists like Brett Michaels, George Thorogood, Third Eye Blind, Joan Jett & The Blackhearts, and many others. Larisa is also a nationally and internationally recognized judge and “guest master teacher”.

Co-Owner Ryan Eronemo’s dance journey began in high school. After breaking his hand left him unable to continue playing football, Ryan took a girl’s PE dance class, and his dance career built from there. He has performed, taught, and judged across the country and around the world, including venues in Asia and Europe. Ryan has appeared in music videos that have premiered on SkyTv in Canada and MTV Europe and is an “international master teacher” that’s taught across three continents.

Image 3-2-21 at 6.43 AM - Glass House.jpg

Throughout the COVID-19 pandemic, Glass House Dance was able to meet state occupancy requirements and keep its classes running outdoors and by renting out spaces next to the studio. Glass House Dance is actively searching for a permanent location in the Maple Valley/Black Diamond community, but in the meantime, the studio is partnering with the City of Maple Valley to offer weekly classes with Glass House instructors & pedagogies. Glass House is beginning with 10 weekly classes through this partnership, but is looking forward to offering more classes as they fill up.

Larisa and Ryan live near Maple Valley and decided to spread their operations south when they were searching for dance classes for their daughter in the area. “There are not very many [dance] providers in this area and [South King County is] one of the fastest growing areas in King County,” Ryan says. “We thought we could have a unique voice and offer something valuable to the community.”

Glass House Dance’s programs are centered around inclusion. “If you want to dance, no matter what your body type is, what your skill level is, what you're able to commit in terms of time: we have a place for you no matter where you’re at in your dance journey,” Ryan says about Glass House Dance’s offerings.

From the rubble of the COVID-19 pandemic, the dance community of the greater Seattle area is coming together in inspired ways. These private coaching sessions, cross training endeavors, rebranding and expansion efforts, and more signal that the dance realm in our little corner of the world is only getting stronger following adversity.