Our Top 5 Ballet Villains
The clouds are getting darker, the leaves are turning orange, and there’s a chill that’s been lingering in the air. You know what that means: it’s spooky season. For most of us dancers, dressing up in dazzling costumes is just another day in the office. Nevertheless, when Halloween time comes around, I can hardly contain my excitement. So what better way to celebrate the Halloween spirit than to count down some of our favorite ballet villains! From sorcerers and fairies to rats and royalty, this list is chock full of ballet’s best scoundrels. Read on to find out my evil top picks from some ballet classics.
By Madison Huizinga, DWC Blog Editor
The clouds are getting darker, the leaves are turning orange, and there’s a chill that’s been lingering in the air. You know what that means: it’s spooky season. For most of us dancers, dressing up in dazzling costumes is just another day in the office. Nevertheless, when Halloween time comes around, I can hardly contain my excitement. So what better way to celebrate the Halloween spirit than to count down some of our favorite ballet villains! From sorcerers and fairies to rats and royalty, this list is chock full of ballet’s best scoundrels. Read on to find out my evil top picks from some ballet classics.
5. Rat King
Photo of the Rat King in The Nutcracker by Liza Voll, from the Boston Ballet
This list would be incomplete without one of the most iconic ballet villains of all time: the Rat King. The Rat King is a part of the beloved holiday classic The Nutcracker and stirs up havoc by battling The Nutcracker with his evil troupe of rats and mice. With so many variations of The Nutcracker, have come many different interpretations of the villain. In some productions, there’s a Rat Queen, or in the Balanchine version, a multi-headed Rat King. Considering that the Rat King isn’t present throughout the entire production, he’s relegated to the bottom of the list. Nonetheless, The Nutcracker wouldn’t be the same without him!
Photo of Amy Harris as the Stepmother in Cinderella, photo by Lynette Wills. From The Australian Ballet
4. Stepmother
From the pages of storybooks to the stages of theatres, the stepmother from Cinderella is a ruthless villain through and through. Much like in the literary and film versions of the story, in the ballet Cinderella, the stepmother forces her stepdaughter Cinderella to be her family’s servant. Something a bit different about the ballet version of the fairy tale is that the stepmother tries to fit into Cinderella’s slipper at the end of the ballet herself. The stepmother may not have any flashy powers or flamboyance to her personality, but her demeanor towards Cinderella is utterly heartless, making her a true villain.
Photo of Gillian Revie as Carabosse in The Sleeping Beauty, photo by Jeff Busby. From The Australian Ballet
3. Carabosse
Coming in at number three is Carabosse, the evil fairy from The Sleeping Beauty. Carabosse ranks high on this list as her source of villainy comes from out of sheer pettiness, which makes her character quite amusing. When Carabosse isn’t invited to Princess Aurora’s christening by King Florestan XXIV and the Queen, she is fiercely upset and puts a curse on Aurora to prick her finger on a spindle and die on her sixteenth birthday. How bitter! Fortunately, the Lilac Fairy changes the curse from death to a 100-year slumber, but regardless, Carabosse certainly puts a damper on things with her wickedness.
Photo of Thomas Whitehead as Rothbart in Swan Lake, photo by Bill Cooper. From The Royal Ballet
2. Rothbart
Second place goes to Rothbart from Swan Lake, a cunning owl-like sorcerer who curses the maiden Odette to be a swan by day until she can find a man who’s never loved before to love her forever. A complicated and wicked curse indeed. The villain is portrayed in different forms in different productions, including a human form and a reptilian form, but in most, he remains an owl-like creature. Rothbart’s eccentric costume and flair make him one of the more exciting villains to watch on stage.
Ako Kondo as Myrtha in Giselle, photo by Jeff Busby. From The Australian Ballet
1. Myrtha
And finally, first place goes to the one and only Myrtha from Giselle. Maybe it’s because Giselle is my favorite ballet (or because it’s one of the spookiest ballets) but regardless Myrtha is one of the most fierce ballet villains of all time. She is the leader of The Wilis, the ghostly spirits of maidens who have been betrayed by their lovers. Considering Myrtha is literally a ghost, she reigns supreme in terms of ballet villains.
Antagonizing as they may be, ballets would be nothing without their villains. They stir up trouble, serve some menacing looks, and allow the heroes to prevail at the end (most of the time). Whether you’re watching some YouTube videos of these favorite villains, or channeling them in your Halloween costumes, we hope you have a hauntingly good spooky season!
Scary Dance Pieces to Get You in the Halloween Spirit
Whether it’s curling up to watch your favorite horror movie or tip-toeing through an eerie haunted house, Halloween is one of the only times of the year when people choose to get scared! There’s something about the rain clouds rolling in and the chill that falls in the air that makes people enthusiastic about spooks. For dancers that are passionate about the spooky season, we’ve curated a list of the most chilling dance pieces to get you into the holiday spirit.
By Madison Huizinga, DWC Blog Editor
Whether it’s curling up to watch your favorite horror movie or tip-toeing through an eerie haunted house, Halloween is one of the only times of the year when people choose to get scared! There’s something about the rain clouds rolling in and the chill that falls in the air that makes people enthusiastic about spooks. For dancers that are passionate about the spooky season, we’ve curated a list of the most chilling dance pieces to get you into the holiday spirit.
“Dark Matters,” Kidd Pivot, choreography by Crystal Pite
In “Dark Matters,” the incomparable Crystal Pite showcases chilling choreography on her company Kidd Pivot. The work features a dancer being attacked by a puppet controlled by several shadow figures. The piece turns quite meta, as the person’s body is dragged away and his home is dismantled, with the words “THIS IS FAKE” projected across the stage. Lights flash, shadows are cast, and bodies move with creepy contours.
“Double Murder - Clowns,” choreography by Hofesh Schecter
CONTENT WARNING: IMAGES OF GUNS
“Clowns” is a part of the double bill, Double Murder, choreographed by the renowned Hofesh Schecter. Images of clowns are certainly evoked, from the billowy costumes, the bouncing motions, and the circus-esque atmosphere. Yet, there is something on edge about the movements, with shaking and flailing adding an eeriness to it all. It feels as though you’re peeping in on the inner workings of a cult of ex-clowns.
“The Hospital,” Quest Crew
Quest Crew’s “The Hospital” fittingly takes place in an eerie hospital, full of scares and creeps around every corner. Piercing music plays as a brooding nurse storms through decrepit halls. The patients swing axes and ramble nonsensically as the camera pans into each room of the hospital. The crew of doctors at the end showcases remarkable, gravity-defying breaking moves. With a surprise twist ending, this dance piece is undoubtedly not worth missing.
“The Rite of Spring,” choreography by Pina Bausch
Pina Bausch’s “The Rite of Spring” is a thriller through and through. Expertly blending frantic gestures with smooth lines, all kinds of energy flows through the piece to draw viewers in. Dancers flail about, throw harsh stares, and engage in jerking gestures, often in large clusters and circles, alluding to cult-like motifs. The chilling nature of the dancers’ movements and facial expressions, paired with the heart-pounding orchestral music makes the whole piece rather unnerving, perfect to watch during this time of the year. Click the link above to view behind-the-scenes rehearsal footage of “The Rite of Spring,” or this link to see an excerpt.
“Creature” (Because of What You Have Done) by Akram Khan
Finally, “Creature” by Akram Kahn conveys thriller-like qualities as well, but in a rather different form than “The Rite of Spring.” Stumbling around to a warped recording of Richard Nixon’s 1969 speech to the Apollo 11 astronauts, performer Jeffrey Cirio’s character appears in a sort of psychological prison. Timed with Nixon’s words, Cirio moves in slow motion and then snaps into jittery upright motions, mouthing the words and pulling at his jaw. The whole piece contains unsettling and evocative qualities fit for the scary season.
Who said dance can’t be spooky? Take a break from your trick-or-treating, horror movie binging, and candy-eating to check out these scary dance pieces. They’re sure to get you in the Halloween spirit!
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